Cro-magnon Art History Definition
Cro-Magnon
prehistoric human
Cro-Magnon, population of early Homo sapiens dating from the Upper Paleolithic Period (c. 40,000 to c. 10,000 years ago) in Europe.
In 1868, in a shallow cave at Cro-Magnon near the town of Les Eyzies-de-Tayac in the Dordogne region of southwestern France, a number of obviously ancient human skeletons were found. The cave was investigated by the French geologist Édouard Lartet, who uncovered five archaeological layers. The human bones found in the topmost layer proved to be between 10,000 and 35,000 years old. The prehistoric humans revealed by this find were called Cro-Magnon and have since been considered, along with Neanderthals (H. neanderthalensis), to be representative of prehistoric humans. Modern studies suggest that Cro-Magnons emerged even earlier, perhaps as early as 45,000 years ago.
Cro-Magnons were robustly built and powerful and are presumed to have been about 166 to 171 cm (about 5 feet 5 inches to 5 feet 7 inches) tall. The body was generally heavy and solid, apparently with strong musculature. The forehead was straight, with slight browridges, and the face short and wide. Cro-Magnons were the first humans (genus Homo) to have a prominent chin. The brain capacity was about 1,600 cc (100 cubic inches), somewhat larger than the average for modern humans. It is thought that Cro-Magnons were probably fairly tall compared with other early human species.
It is still hard to say precisely where Cro-Magnons belong in recent human evolution, but they had a culture that produced a variety of sophisticated tools such as retouched blades, end scrapers, "nosed" scrapers, the chisel-like tool known as a burin, and fine bone tools (see Aurignacian culture). They also seem to have made tools for smoothing and scraping leather. Some Cro-Magnons have been associated with the Gravettian industry, or Upper Perigordian industry, which is characterized by an abrupt retouching technique that produces tools with flat backs. Cro-Magnon dwellings are most often found in deep caves and in shallow caves formed by rock overhangs, although primitive huts, either lean-tos against rock walls or those built completely from stones, have been found. The rock shelters were used year-round; the Cro-Magnons seem to have been a settled people, moving only when necessary to find new hunting or because of environmental changes.
Stylized "Venus" figurines carved in ivory, Aurignacian-Gravettian (c. 24,800 bce), from Dolní Věstonice, Mikulov, Moravia, Czech Republic; in the Moravian Museum, Brno, Czech Republic. Height (left) 8.3 cm and (right) 8.6 cm.
Courtesy of the Czechoslovak News Agency, PragueGet a Britannica Premium subscription and gain access to exclusive content. Subscribe Now
Like the Neanderthals, the Cro-Magnon people buried their dead. Some of the first examples of art by prehistoric peoples are Cro-Magnon. The Cro-Magnons carved and sculpted small engravings, reliefs, and statuettes not only of humans but also of animals. Their human figures generally depict large-breasted, wide-hipped, and often obviously pregnant women, from which it is assumed that these figures had significance in fertility rites. Numerous depictions of animals are found in Cro-Magnon cave paintings throughout France and Spain at sites such as Lascaux, Eyzies-de-Tayac, and Altamira, and some of them are surpassingly beautiful. It is thought that these paintings had some magic or ritual importance to the people. From the high quality of their art, it is clear that Cro-Magnons were not primitive amateurs but had previously experimented with artistic mediums and forms. Decorated tools and weapons show that they appreciated art for aesthetic purposes as well as for religious reasons.
It is difficult to determine how long the Cro-Magnons lasted and what happened to them. Presumably they were gradually absorbed into the European populations that came later.
The Editors of Encyclopaedia Britannica This article was most recently revised and updated by John P. Rafferty.
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Cro-magnon Art History Definition
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